Creativity in the time of Coronavirus (a glimpse of an artist in the middle of a pandemic)

[The following is a piece I wrote and never posted on April, 28th, 2020. In the interest of some continuity in my own life, I’m posting it now.]

No one can really prepare for what a pandemic can do to the human psyche. We are all different, with different personalities, different traumas, and different reasons to get out of bed in the morning. And if, like me, you saw the abundance of time that Quarantine afforded you and thought about all the art you can make in this time, you possibly also hit the wall I hit. That invisible wall, that unlike mere art block, feels so heavy, it’s like an avalanche of bricks, telling you to get down and stay down. I was not even remotely familiar with that wall when this began, and I was prepared, my friend.

I have been home since March 12th, the first day I worked from home after cleaning out my cubicle at work. I’d spent the last two weeks quietly buying Lysol wipes and hand-sanitizer, cold medicine, vitamins, all the while refusing to be as calm as some of my loved ones entreated me to be. I wasn’t hysterical, but I had been following the virus’s progress since December. I wasn’t surprised when it spread quickly, suddenly hit New York, or when my boss told us to start thinking about working from home. I was ready.

Correction: I was ready to survive. My partner once joked that I was like a girl scout, always prepared, and despite the sad lack of berets and badges in my life, I pretty much am one. But I was not ready for the psychological toll on my artistic stability. Not even close.

“Art felt like an irresponsible privilege.”

For weeks I managed to do what I had to do, but art felt like an irresponsible privilege. A nagging voice in my head, the usual critique that I struggle with, seemed to get a hold of a megaphone and was screaming at me, asking me why I was even trying. Getting better at poses? People were dying. More dynamic paneling? People were dying. Practicing watercolor? Even more people were dying. What the hell was I doing making art? Who needs my art right now? What is it even curing?

I kept drawing through. I’m pretty stubborn and logic informed me that I normally find comfort in drawing, so it had to eventually come back. But I did tweak how I went about it.

Instead of working towards a result, I tried to pay attention to what felt right. What did I actually enjoy making? “Practicing expressions” seemed like a chore. Going on pintrest, finding a cool expression and trying to draw it as a character I liked?

That worked. Forcing my own comic projects on felt stressful, and I didn’t want to mess up. Drawing some details from other comics I liked? That felt good.

Coloring a full page illustration seemed like hours of energy I didn’t have, but grabbing some markers and practicing eyes or drawing fanart was totally my speed.

In all this I found the answer to my earlier question. I’m the one who needs my art. It is curing me. I have to get through this somehow, so I might as well have fun, and to heck with results.

So, please go ahead and keep making stuff. Share it or don’t. Keep it or burn it. What matters is that you made it because it felt right no matter how it turns out. Being creative under these circumstances is taxing as hell, and we need all the energy we can muster for the days ahead. Be kind to yourself. Don’t sweat it. If you don’t make one thing you like for the next few months it does not matter. As long as you liked making it. That’s all that matters.

Wishing you peace and safety. Let’s make weird shit.

-Samia

Tabling goals 2019

Hello! Welcome to the blog portion of this website. To start things off, I thought I would share a little bit about my goals for tabling and selling my work this year!

Last year, I went to so many cons both with my school (California College of the Arts) and on my own! As a result I went to Dink, Scranton Zine Fest, The Women in Comics Convention (Brooklyn, NY), Silver Sprocket Zine fest (San Francisco, CA), SPX, and the People’s Market (People’s Forum, NYC). I’ve been tabling for years, but this was the first time I ever attended ANY of those cons, and being part of the small-press/zine community has been so fulfilling! There’s such a welcome attitude for fresh, new, indie work, and people get so excited about the stories I want to tell. Potato Chips has been a solid seller for those who want some relatable empathy-driven content, and the excitement I’m getting from young readers for Merboy is so fulfilling. And I have a few friends who have been telling me how anxious they are to finally read GLITCH #1 after hearing me talk about it for so long.

So now, I’m about to start the new con season, and I am so excited to keep making work. Here’s some of my goals:

  • Make Potato Chips #3

  • Make Merboy #2

  • Get Glitch Issue #1 fully finished (it’s over halfway done!)

  • Make some more slice-of-life zines that are more accessible, price-wise

  • Find a way to make RISO prints

  • Make new enamel pins and stickers that compliment my comics!

All of these goals are underway in some form or another, but I really hope this is new work I’ll be debuting this fall, since I’ll be done with my MFA work as well.

What project are you most excited for? Drop me a comment here or on social and let me know!

Happy 2019 y’all, I hope you have an amazing SPRING!

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The People’s Market 2019

Earlier this year, my first table of the new year!

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Potato Chips #1

Published last year, April 2018